Elysian Slumber

Viewing Room – ENTER here

Welcome to Jacob Hoerner Galleries’ Inaugural On-line Viewing Room Series with two simultaneous Solo exhibitions by Monique Morter and Gillian Warden.

To ‘Enter’ and then ‘Navigate’ around the Viewing Room exhibitions please follow the instructions and prompts within the virtual spaces. A few key features that are important to know about include: Expanding to ‘Full Screen’ for a better experience; Clicking on any work from across the space to zoom in from a distance; Clicking on ‘Take a Tour’ which allows for navigated ‘tour’ to guide you through the exhibition; as well as Clicking on the ‘Information’ icon when viewing a single work up close to see the medium, dimensions and price of works.

For any further information, questions or guidance please email/call/text info@jacobhoernergalleries.com / +61 (0) 412 243 818

Melbourne Art Fair 2020 – Digital Initiative

Artists include

David Palliser
Andrew Sibley


Jacob Hoerner Galleries
Viewing Room Link
https://artspaces.kunstmatrix.com/en/exhibition/1285611/melbourne-art-fair-2020-viewing-room


Melbourne Art Fair 2020

The two Artists to be shown by Jacob Hoerner Galleries at the Melbourne Art Fair 2020 digital edition are David Palliser and Andrew Sibley.

The recent works by Palliser selected for this presentation show his sophisticated approach to painting, considered visual language and ambiguous internal logic expressed through his multi-layered wayward abstractions.

The suite of works by Andrew Sibley are a selection of significant oil and enamel paintings on linen created between 1968-1972, an iconic early work on Masonite board from 1965, and a set of smaller paintings on Arches Dessin paper created over four years from 1978-1981. Made over an extended period during a transformative time in his career, Sibley’s imagery subtly shifts from the mid 1960s up until the early 1980s yet is clearly recognisable as his own, visual representations of each muse’s mood or state of being capturing the complexities of the human condition.

For further information on the Melbourne Art Fair visit www.melbourneartfair.com.au/

Viewing Times

Online Viewing Room
VIP Preview June 1 – 2 2020
Open June 3 – 7 2020
& by Appointment

 

Fin de la Décennie

Artists inc.
Alison Binks / Joe Blundell / Rius Carson / Ben Fuog / Hannah Goldstein / Alex Hamilton / Petra Kleinherne / John Lennox / David Milne / Monique Morter / David Palliser / Mike Portley / Andrew Sibley / Jewels Stevens / Emma Stuart / Gillian Warden

 

Sydney Contemporary 2019

Jacob Hoerner Galleries

Artists include

David Milne
David Palliser
Andrew Sibley
Gillian Warden

Viewing Times

Wednesday September 11
VIP Preview 4-8pm

Thursday September 12
12-5pm Public Day
5-9pm Opening Night

Friday September 13
12-8pm Public Day

Saturday September 14
11-6pm Public Day

Sunday September 15
11-6pm Public Day

Location

CARRIAGEWORKS
245 Wilson Street, Eveleigh
Sydney, Australia

For further information on Sydney Contemporary visit www.sydneycontemporary.com.au/

Lone Splendour

Lone Splendour by Monique Morter is a new series of work based on the spectacular mountain ranges of the South Island of New Zealand. Predominantly working with pastel on paper Morter’s approach to drawing is hyper-real, her dream like colour pop images are laden with colour, electric at times while soft and sparse at other moments. Morter creates a sensuous mood in her depictions of the vistas she is observing, a luxury of colour to calm as well as titillate the eye, and through her work she imbues new life into these timeless terrains, so strong and solid in structure yet so soft, fragile and vulnerable in this age of melting ice caps and mountain snow. More than just pictures of positivity – which they are – this latest series is also a record of beauty mixed with a fragility expressed through the sublime medium of pastel on paper.

The Spiritualisation of Matter

With an exceptional understanding of colour, line and shape that has been developed and refined over his near 50 years as an artist, the symbols and patterns that David Milne places into his meticulous work combine to reflect his artistic background as a Modernist with an acute awareness and sensibility to the trends and aesthetics of Contemporary painting.

Milne’s approach is bold and striking at first glance, invariably complex and intricate upon further inspection, calming and measured when time is spent with his careful and considered hard edge abstractions, yet in essence Milne’s numinous compositions go beyond the painted surface. Part riddle and part ‘The Spiritualisation of Matter’ his coded visual language offers us access to longer arcs of time and more metaphysical notions of our sense of place via visual cues that have been used in Western and Eastern Art over centuries.

Drawing on his knowledge of alchemy, and particular interest in engravings of the Seventeenth Century, Milne’s multi-layered yet clear compositions are infused with historical iconography as well as elementary symbols. Designed around meditative inflection Milne allows us to see and engage with an artist who’s work is created for our aesthetic enjoyment without a need for excessive elaboration even though a more complicated subtext is present for those wanting to discover the rationale and musings that underpin his highly sophisticated ethereal tomes.

Milne has had significant commercial success over four decades of exhibiting with sell out exhibitions in the 1980s and 2000s either side of his successful career working in advertising for Saatchi & Saatchi as their National Creative Director in the 1990s. Creating some of his best and most important work to date, and through formal presentation and representation, Milne continues to accrue credence and recognition for his unique compositions, mark making and his approach to his artistic practice that he has been dedicated to throughout his life.